Seven years without playing music; now this — Brendon's story

Hi, I'm Mathew Bosher and this is the Domes newsletter.

Our second podcast episode is out now. I interview my co-host and bandmate, Brendon Kahi—a considerably talented, humble musician with a catalogue stretching from post-metal to "country noir."

We do a deep dive into his experience of our 18,000 kilometre journey to record on a 1939 heritage vessel in London. He talks about crafting the bass into a statement and fostering collaboration through shared adventure.

In my view, Brendon brings colour, richness and depth to what we do. While we had been in a band previously, this was our first time writing together and Brendon admits some misplaced nervousness given his impressive catalogue. See:

• Ender (post-rock)

• Red Beard (alternative country)

• Nina McSweeney ("creep folk")

• Pegasus (doom metal) [Let me know if you track it down.]

It was a real pleasure to reflect on our partnership and the upcoming anniversary of recording our latest music.

Listen or subscribe on Apple Podcasts, Spotify or elsewhere (RSS here).

Until next time,

Mathew